Trinity College London Classical Guitar · Grade 8

Trinity Classical Grade 8 guitar

Diploma-preparation level — the summit of the graded syllabus.

Trinity Classical Grade 8 guitar exam book cover
The book you'll needTrinity Classical Grade 8 — buy the printed book or the digital edition from the official shop.Buy the book

Trinity exams are taken digitally by default — recorded and submitted online — with in-person exams arranged for students who prefer them.

Set pieces

Tap any piece to open its own page with a play-along video, amp settings and practice tips. You'll still need the official grade book for the notation.

Every piece across all Trinity Classical Grade 8 books(27)

Books and exam booking

The Trinity Grade 8 book and the exam booking both come from Trinity College London directly.

Technical work at Grade 8

  • Complete scale and arpeggio system
  • Virtuoso right-hand technique
  • Full command of tone colour and dynamics
  • Independent programme building

What's in the exam

  • Three pieces from the syllabus
  • Technical work
  • One supporting test
  • Musical knowledge
Read the 8-week exam prep plan

Trinity Classical Grade 8 technical work in full

Everything below is published in Trinity's book Guitar Scales, Arpeggios and Studies from 2016: Grades 6–8. You always play the technical exercise, then choose one of: scales & arpeggios set A, scales & arpeggios set B, or the concerto extracts. Tell the examiner your choice on the submission form.

1. Technical exercise

Technical exercise in B♭ minor (♩ = 106) — music may be used.

  • Major tonal centre: major scale, major arpeggio, then a dominant 7th arpeggio starting on that note and resolving on the tonic
  • Minor tonal centre: harmonic minor scale, melodic minor scale, then minor arpeggio

2. Scales & arpeggios — set A

From memory, mf.

  • A major tonal centre — two octaves, scale im apoyando. Minimum tempi: scales ♩ = 136, arpeggios ♩. = 72, dominant 7ths ♩ = 108
  • E♭ minor tonal centre — two octaves, scales ma tirando
  • F♯ major tonal centre — three octaves, scale im apoyando
  • G♯ minor tonal centre — three octaves, scales ma tirando
  • Chromatic scale starting on G♯ — three octaves, im apoyando
  • A melodic minor scale in tenths — one octave, pi/pm
  • Chromatic scale in octaves starting on F♯ — two octaves, pi/pm
  • Diminished 7th arpeggio starting on A♭ — two octaves, ppimim…. Minimum tempo ♩ = 108

3. Scales & arpeggios — set B

From memory, mf.

  • E♭ major tonal centre — two octaves, scale im apoyando. Minimum tempi: scales ♩ = 136, arpeggios ♩. = 72, dominant 7ths ♩ = 108
  • A minor tonal centre — two octaves, scales ma tirando
  • A♭ major tonal centre — three octaves, scale im apoyando
  • F♯ minor tonal centre — three octaves, scales ma tirando
  • Chromatic scale starting on E♭ — two octaves, im apoyando
  • A major scale in thirds — two octaves, im
  • E♭ major scale in sixths — two octaves, pi/pm
  • Diminished 7th arpeggio starting on F♯ — three octaves, ppimim…. Minimum tempo ♩ = 108

4. Concerto extracts

Choose and perform two extracts. Music may be used.

  • Vivaldi: Concerto in D, RV 93 — 1st movement, bars 24–51
  • Castelnuovo-Tedesco: Concerto no. 1 in D, op. 99 — 3rd movement, first section of cadenza
  • Villa-Lobos: Concerto for Guitar and Small Orchestra — 2nd movement, first section of cadenza